RUIRUI

GRAPHIC DESIGNER
MELBOURNE AUS / XIAMEN, CHINACN
@RUIRUIDOTCOM
RUIRUIPRACTICE@OUTLOOK.COM


PROJECTS 2020-25’


25’(COLLAB)
(PUBLICATION)
(BRANDING)
(BRANDING)
(BRANDING)
(BRANDING)
Nidea•Nlight xruiruidotcom
7³(2x11): Unspoken Syntax
XHS WTForm
Eclipsa Tea Co.
Fika
Fleure

24’(BRANDING)
(BRANDING)
(PACKAGING)
(ILLUSTRATION)

(POSTER)

(BRSNDING)
Busana Studios
Niall Coffee Merch
Ocean Garden  
Niall Coffee Literature Collections
Imperfect Nature,
Natural Settings

YIMU Studio


23’(PRINT)
(BRANDING)

(TYPOGRAPHY)
(PRINT)

(TYPOGRAPHY
(BRANDING)
(POSTER)
Season Type Calendar
ACCA Between Waves
Language Tour

(MAREN) Oracle Type

Autumn Spring Music
Album Cover

Woven Script
Book Turner
WAHH


22’(BRANDING)
(BRANDING)

(PUBLICATION)

(PRINT/ CRAFT)
(PRINT)
(PACKAGING)
(ILLUSTRATION)

(ILLUSTRATION)
(POSTER)
(POSTER)
(BRANDING)
(BRANDING)

M-E-SFF
RMIT Graduate Festival
of Design
Between Intersections:
Box Hill
This is me, I am here
HETEROMORPHOSIS
Petite Paws
Flock Off
Hay Fever Season
Voice of Form
Obsolete Voice
Komorebi
Syre Wine Bar


21’(CAMPAIGN)
(PUBLICATION)(ILLUSTRATION)
(POSTER)
A Personal Note 73
Graphic Dimensions
Hana and I
Moved


20’(POSTER)
(PRINT)

(PRINT)

Money Bubblegum
To Kill A Mockingbird
Book Cover

From Harriet



OTHER Logo



M-E-SFF 

Mise-En-Scene Film Festival

HiiiBrand Student Gold Award winning project:
JUDGES COMMENT:
  1. "This work, featuring a symbolic design inspired by ostriches, is full of dynamism. The symmetrical treatment of the symbols or their flexible use as single elements reflects the vitality and energy of the film festival. The red, black, and white color scheme used as the primary palette creates a sense of unity, making the film festival even more vibrant. It inevitably fills one with anticipation for the festival and the exciting works it will bring forth." – Kashiwa Sato (Japan)
  2. "A strong use of icons and colors provides a consistent and recognizable visual language across all applications." – Joe Duffy(USA)
SCOPE:
Brand Identity
M-E-SFF (Mise-En-Scene Film Festival) puts emphasis on visually enhanced and artistically designed films which narrate unique storylines through theatrical and extravagant manner. The festival acknowledges the diversity of creative minds and the craftsmanship of the ones involved behind production.

The overall brand identity explores the broad idea of ‘designing the stage’. It not only takes the history and key aspects of mise-en-scene into consideration within its visual language but also looks closely at recreating theatre, expressing unique visions, time and space. The aesthetic of the festival identity places emphasis on creativity, playfulness and drama, while mimicking and recreating the experiential processes in designing, crafting and viewing creative films.















































©RUIYING CANDICE ZENG 2025